I am BEYOND THRILLED to announce I’m now represented by the fabulous Jennifer Azantian of Azantian Literary Agency! I feel so incredibly fortunate to have found an agent who really gets my book–like down to its bones–and has the vision to help STRANGE BEASTS become its best self.
I’m thrilled to announce that I’ll be running a workshop on tension for Clarion West this May! Come join me for an exploration of the different kinds of tension and how they shape the reader experience.– Tied Up in Strings: How Internal Tension Moves Your Characters with Susan J. Morris Explore the difference between cross-tension […]
C. L. Polk asked a fascinating question on Twitter: “What do you mean when you talk about the story getting moving? What’s happening when the story (finally) feels like it’s in motion?” The breadth of responses was fascinating to me. As was the fact that they all felt accurate! I gave kind of my gut […]
For years, I had this terrible tendency NOT to ask for help, as if someone else helping me meant the story was any less mine. As if acknowledgment lists in books weren’t basically short stories. But I saw that the other members of my writing group were so much better about asking for help, and […]
We talk all the time about how to shore up our weaknesses. That’s basically what getting a critique is all about! And it’s super useful. But not having huge weaknesses is just what makes a book acceptable. What makes a book brilliant is its strengths. So how can you learn to make your crazy diamonds […]
When I think about my reader experience of a book, I think about music. Just as with music, when I read a book, I feel three distinct kinds of satisfaction: intellectual, emotional, and resonant. Every book plays with these elements differently—the way classical compositions play across treble, mid, and bass. Taken together, they create a […]
Something I’ve been working on while brainstorming is mapping out themes and concepts that are sparkly to my brain. Time will tell if it’s useful, but it was really interesting to me, especially in the context of analyzing my past work, and examining areas I haven’t yet explored. It also made me feel super connected […]
After I finish writing a book—regardless as to whether it’s succeeded or failed, or had the opportunity to do either—I usually spend some time unpacking what I can learn about myself, my process, and my writing. This helps me solidify the things I’ve learned, identify the areas I’d like to improve, as well figure out […]
Imagine for a moment everything your character cares about—Love, Friendship, Family, Country, Ideals, Religion, Tradition, Self, and Things More Specific—as a string, wrapped around your character. The more your character cares about that thing, the tighter that string is pulled—the more tension on the line. The more strings? The more interesting it gets. Tension […]
Critique is the part where you tell an author everything they did wrong, right? Yes, absolutely! You need people who will tell you about the lipstick on your teeth, or that your skirt—while very fetching—has been tucked into your underwear since noon, preferably before you go out to lunch. But critique is also the part […]
